4 Reasons People Buy Books in Zambia
Readers buy a book because it meets a need, because someone they trust recommends it, because buying is easy, or because it suits an occasion. How authors can work with each of these reasons.
People buy books for particular reasons, and those reasons are usually more specific than authors assume. A reader rarely buys a book simply because it exists or because the author has worked hard on it. They buy because the book promises to help with something they care about, because someone they trust has recommended it, because buying it is easy at the moment they want it, or because it suits an occasion or purpose beyond their own reading.
Understanding these reasons changes the way an author describes and sells a book. The question "How do I persuade more people to buy my book?" is less useful than "What does this reader need to know before deciding?" The second question has practical answers that are mostly within the author's control.
At Sotrane Publishers, we encourage authors to begin their marketing there. The four reasons below are not a formula, and one reader may have several of them at once. They are a practical way to check whether your description, your recommendations and your sales arrangements are doing their job.
1. The book meets a need the reader can name
Most non-fiction readers come to a book with a need. A school leaver preparing for university may want honest advice about money and settling in. A parent may want stories their child will enjoy in a familiar setting. A professional may need a reliable reference for a course or a task at work. None of them is buying a number of pages. Each wants to know what the book will help them do, understand or experience.
Try completing this sentence: "This book is for someone who wants to…" Then check whether your description actually answers it. A phrase such as "an inspiring and transformational journey" tells a stranger almost nothing. "A guide to the first year at university, covering budgeting, study routines and social pressure" gives them something they can judge.
Fiction and poetry make a different kind of promise. A novel offers a setting, a conflict and a particular emotional experience. A poetry collection may speak to grief, love or belonging. These books do not need to pretend to be self-help manuals, but they still need to tell readers enough to decide whether this is the experience they are looking for.
2. Someone they trust recommends it
Many people buy a book because a person they trust has suggested it. A teacher who recommends a children's book to parents carries weight because the teacher knows the children and can explain why the book suits them. Librarians, lecturers, book club members, community leaders and readers who have actually finished the book can play the same role.
Think about where your likely readers already go for advice. A local radio programme may suit a history book. A professional association may suit a specialised handbook. For a novel, a reading group or a thoughtful review may achieve more than repeated announcements from the author.
Make recommending your book easy. Give people a short, accurate description, the correct spelling of your name, a good cover image, the price and a clear way to buy. If you ask for a review, ask for an honest one. Never write praise in someone else's name or suggest an endorsement that was not given. A recommendation is only valuable because it is genuine.
A recommendation helps only when the person recommending the book can explain what it is and how to buy it.
It is also worth tracking where enquiries and sales actually come from. Recommendations work well for some books and some readers, and less well for others. Your own records will tell you more than any general rule.
3. Buying is easy at the moment they decide
A reader can want a book and still not buy it. The price may be missing. The payment instructions may be unclear. Delivery outside Lusaka may not be explained. An online listing may show the cover but no description or sample pages. Each of these gaps creates doubt at the very moment of decision, and a reader who hesitates often does not come back.
Look at your sales page or promotional post on a phone, as if you had never heard of the author. Can you find the title, author, format, price, delivery options and a working way to order? If the book is a workbook, are there photographs of the inside pages? For a substantial non-fiction title, would a contents page or a short extract help a reader decide?
Confidence also comes from quality. A readable cover, careful editing and accurate product information show respect for the buyer. The book must also keep its promise once it is opened, or the first sale will not lead to a second. Our guides to cover design and professional editing explain what to check before publication.
4. The book suits an occasion or a wider purpose
Some books are bought for someone other than the buyer. A relative may choose a book as a graduation present. A school may order copies as prizes. A church group or reading circle may buy several copies to discuss together. These buyers need different information: the age or reading level the book suits, the subject, availability, the price for the quantity they want, delivery dates and perhaps whether the author can sign copies.
Rather than calling every title "the perfect gift", think about the occasions for which your book genuinely makes sense. A children's story set in a Zambian town may suit school prizes. A memoir about professional life may interest a mentorship programme. If you want institutional orders, prepare a short, clear note that explains the book, its readers, the price for the quantity requested and how the order will be delivered.
The reason for buying can also change over time. At a launch, friends and family buy to support the author. Six months later, strangers need the book to stand on its own merits. Plan for both moments.
Put these reasons to a simple test
Choose one likely reader and trace their route to the book:
- What need, curiosity or occasion would make them look for it?
- Whose recommendation would they take seriously?
- Where would they come across the book in ordinary life?
- What information might be missing when they try to buy it?
- Could someone else confidently explain how to order it?
Then ask a person outside your immediate circle to follow that route using your current listing or promotional post, and notice where they hesitate. The fix may be as simple as adding the price and delivery details. It may mean rewriting the description or presenting the book in a more relevant place.
What this means for your marketing
Book marketing works better when you can picture the reader's decision than when you repeat "Buy my book" to everyone you know. Start with the person, the reason and the practical path to purchase, then measure what happens. When Sotrane lists a title in our bookshop, we make sure it carries an accurate description, the approved cover, the price and stock information, because a reader who cannot find those details is unlikely to buy. We also tell authors honestly that nobody can guarantee a particular number of sales.
For a broader plan that covers readers, messages, distribution and the numbers behind sales, read the four pillars of book marketing in Zambia.
When you last bought a book, which of these four reasons was the one that made you pay?